SOMNIA​

Low table originated in a dream, made entirely in aluminum from casting mathod.
75Ø



TUSA
Moving beyond conventional forms, bed made of solid walnut wood or stainless steel.
​
210 x 210 cm (variable)



MARSH
Formed from a single continuous tube of stainless steel, enclosing a leather marshmallow seat.
80 x 75 x 65 cm





CANDY
Self-standing bookshelf, liquid metal shelves and bronzed columns.
230 x 190 x 55 cm (variable)






LAGO
A liquid metal mirror developed through a search for stability and inner calm.
180 x 90 cm

PLUME
Grounded yet weightless floor lamp in brushed aluminium welded to a polished stainless steel frame, with an alternative version in upcycled linen and appliqué.
​
160 x 30 cm
35 x 8 cm




VELO
Dynamic marble shelves suported by stainless steel arms.
230 x 190 x 55 cm




CAVALLINA
A nod to my childhood, this bench is inspired by the vaulting horse from school gym classes. Stainless steel and leather.
120 x 50 x 45 cm




Inspired by a Moroccan henna lamp gifted to me by a neighbour, featuring a seamless stainless steel frame and an upcycled linen lampshade.
​
30 x 30 x 30 cm
30 x 30 x 100 cm
XORIA




CAT
Metal and glass table with a continuous shape encouraging connection.
​
280 x 120 cm (variable)
50 x 45 cm

THE GHOST COLLECTION
The Ghost Collection 2026, investigates the space between the visible and the invisible. The forms originate from a point and expand in a continuous way, like intangible vibrations: not always evident, but perceptible. There are no abrupt gestures, only slow and silent transformations. All the elements share the same principle: an absence that takes body, that “something” that manifests itself as reality. The collection begins with a clear intention. However, rather than starting from a fully defined concept, space is intentionally left for the work to develop organically. The designs progress over time, and only at a later stage does it become possible to recognize what they share and the meaning they are collectively building. The Ghost Collection is born precisely in this fragile balance: between intention and listening, between control and openness. The forms are not constructed, but collected, like frequencies and transformed into presence.



